一(yī )直(🕕)作為米(mǐ )路斯.科曼(🐽)劇本鐵(📒)三角(另(lìng )一(🌰)位是帕(😘)培錫(🕸),也是本(🤢)片編劇之一(🎗))成員的(🐉)艾雲.巴(bā )薩,當然也走低(dī )度(📿)戲劇路線。同(tóng )是(shì )音(yīn )樂(♑)家的(de )彼德與卡洛老友重逢,生活狀(zhuàng )況(kuàng )大不(🙍)同,你有伴(bàn )侶(lǚ )我有家庭,然(📞)而都有說不(😚)出的不(🙁)明(míng )朗,唯有(🐶)以酒(jiǔ )與(🤯)音樂代替口水。全(quán )片(piàn )(📎)推展不問目的,只在剎(chà )那(nà )間的意圖(🦗),行行(háng )企企(🥎)比起科曼更義無反顧,卻有生活淡如(rú )流水的詩(⛓)意和繆思,叫觀眾聯想到(dào )二十年後(😍)的伊(👺)力(lì ).盧(🤳)馬。巴薩鍾愛音樂(lè )的程度不下於(🤘)文字和電影,古典音樂與民間音樂於全(quán )片(piàn )迴轉迴盪(dàng ),難怪成(chéng )了奇斯(sī )洛夫斯(sī )基十大心愛電影之(zhī )一。 康城(chéng )(⏲)影展青(qīng )年評審(🥤)團獎(👵),美國全(quán )(🐞)國影評人協(xié )會特別獎 (👄) 這部(bù )1966年的珍品,是(🍁)捷(🔲)克新(🕕)浪(😳)潮短暫生(shēng )命中最佳作品之(👩)一。成名音樂(lè )家(🕺)到小(🎴)鎮探訪舊同(⛴)學,舊同學是個窮音樂教(🔬)師(🍯),有時(shí )在喪(sàng )禮上吹奏(zòu )樂(👼)曲(qǔ )。平(⛅)凡的(✒)素材在(🙅)巴素手裡,變出(chū )風趣(qù )復罕見的旋律(🏆),一(🌒)部憂(🎆)鬱(⛎)的喜劇(🐸),或灰色(👔)喜劇(jù )。 (🦐) - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends –(👂) musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards (🛡) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice (🎻) Source HKIFF Czech New Wave 2006
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