前身是皇軍軍港(🆓)的吳(✒)港,戰後成為船塢工人的生(shēng )活煉獄。在資本(běn )家(jiā )剝削和枯(🎹)燥生(🥈)活的(🛤)雙重煎熬下,躁動的(de )(😧)年輕(📿)生命(👋),一(🎲)頭栽進(jìn )(🌗)暴力漩渦,延擱成(chéng )(🐿)長,終日(🎩)在打鬥、賭博(bó )、酗(xù )酒(jiǔ )中尋找暫時(🚉)的(🏐)麻醉。吉田(📞)喜(xǐ )重通過工頭(tóu )之眼(🙁),對不合理的(de )社(shè )會現實(shí )作出欲迎還拒的批(🧚)判,被視(shì )為日本新(xīn )(⏯)浪潮(cháo )代(dài )表(biǎo )(❔)作之(zhī )一。香山美(měi )子(zǐ )飾演純(🙂)真的酒館女待,同情工人卻慘被強姦,正與負(🍄)的能(néng )量(liàng )(🤷),在(zài )大時代(🤲)中比(⛳)拼互滲,可(kě )有超越(yuè )對(duì )與(yǔ )錯,是與非的位置?片(🤘)末火車站送別(bié )一(yī )場,在(zài )家和社會(huì )(🦇)之(😊)間,吉田(🐛)喜(🌹)重作(zuò )出了左(🤷)翼(🃏)的選擇。 One of the key films ushering in the Shochiku New Wave era, this raw tale of migrant laborers at a post-war naval base simmers with youthful outrage. Responsible shipyard worker Shimazaki (Hayakawa) is put in charge of new recruits from Osaka. The immature gang quickly finds trouble drinking, gambling, and fighting, and eventually trespassing against what Shimazaki holds most dear - local bargirl Nobu. Revenge, honor, and loyalty are all called into question. Yoshida's groundbreaking film portrayed real social issues in an unromantic light, and paved the way for all the cinematic roughs to come. - SummerIFF 2007
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